Bookended by Cats: July 2026

Friday, July 17, 2026

Friday 80s Flashback for July 17, 2026

[Pancreatic Release] -- This week's album has several release dates associated with it. The dates range from early in January 1986 through October 1986. AOTY was the first site to remind me of this record, so I am going with their release date of July 18, 1986. So, the bottom line is that this week's featured album has already turned 40 years old, or it will before this year is over. Oh, and there was also a re-release back in 2006, marking a 20th anniversary for the album as well.

Anyway...

I feel that my job with these Flashbacks is to not only stir up some nostalgia for well-remembered and loved records, but to also shed light on the records that have languished on the outskirts of fandom. And I take up that latter task by showcasing I Am John's Pancreas, the debut studio album from English post-punk band, A Witness. Released at some point in 1986, quite possibly on July 18, I Am John's Pancreas did not exactly rocket the band to international, or even local, renown. And this lack of commercial success came despite the interest, and studio prowess, of one John Peel (who I thought must be the "John" in this album title, but turns out to actually be a riff on Readers Digest).

Still, this debut album reached #18 on he NME charts. And it boasts the rather danceable and weird "Red Snake". I'm also rather fond of their tune, "Sharpened Sticks". I Am John's Pancreas is a discordant collection of aural oddities, and it still receives positive reviews in retrospect. Perhaps, if critics had gushed more back in 1986, we could legitimately call I Am John's Pancreas a classic. I mean, I'll still call it a classic, an obscure gem that deserved a wider audience, but you don't have to take my word for it. At least ... not until after you give it a spin.

Flashback: I Am John's Pancreas (July 18, 1986)

And that's all till next week. Dedicated 80s-philes can find more flashbacks in the Prophet or Madman archives or via Bookended's 80s Flashback tag. As always, your comments are welcome on today's, or any other, flashback post. And if you like what I'm doing here, please share the link with your friends. If, however, you don't like the flashback, feel free to share it with your enemies.

See you in seven!

Friday, July 10, 2026

Friday 80s Flashback for July 10, 2026

[Boom or Bust] -- In 1985, a pair of studio musicians named David Baerwald and David Ricketts recorded nine songs across four studios in California. They emerged as rock duo David & David with their debut, and only, studio album, Boomtown. released 40 years ago this week on July 7, 1986.

If you're going to release only one album, it should be as good as this one. Boomtown reached #39 on the Billboard 200 and received positive reviews, both in 1986 and retrospectively. AllMusic's Michael Ofjord calls it "a hard look at urban life in the 1980s". It's a collection of stories that are not always pleasant, but they are set to rhythms and hooks that make each one a compelling listen.

"Welcome to the Boomtown" is considered the lone hit, which broke into the top 40 of the Billboard Hot 100 and #8 of the US Album Rock Tracks chart. But the follow-up singles, "Swallowed by the Cracks" (#14 Billboard Mainstream Rock Hits) and "Ain't So Easy" (#51 Billboard Hot 100), were easily just as good. They just did not get the same kind of promotion, I guess.

Anyway, this 40-year-old record seems to be telling the same kinds of stories of financial hardship and bad choices that are still occurring to this day. Flashback and fast forward, eh?

Flashback: Boomtown (July 7, 1986)

See you in seven!

Friday, July 3, 2026

Friday 80s Flashback for July 3, 2026

[Falling Apart] -- Forty years ago this week, Peter Murphy released his solo debut album, Should the World Fail to Fall Apart.

Peter Murphy had been the lead vocalist of Bauhaus from 1978 through 1983. After Bauhaus disbanded, Murphy did a brief stint in 1984 with a band called Dalis Car. It was that stint that helped change his perspective on songwriting and making records. With Bauhaus, Murphy had typically written song lyrics after the other band members wrote the music. With Dalis Car, Murphy was more integral to the entire process, though that experience was not without issues and conflicts. Karn, Dalis Car's bassist and primary force, and Murphy had differing perspectives on music and its construction.

Fresh from that experience, Murphy entered the studio with studio musician L. Howard Hughes (Stephen Betts) and recorded Should the World Fall Apart, his debut as a solo artist. Murphy and Hughes co-wrote eight of the record's ten tracks. For the other two tracks, Murphy covered "The Light Pours Out of Me" (Magazine) and Pere Ubu's "Final Solution", that latter song being his first single from the album.

Initially, this album was greeted with mixed critical reviews (and that's putting it kindly). It wasn't much of a spark commercially either. Neither the album nor any of its three singles charted. However, it did spark a successful solo career for Murphy. And Should the World Fail to Fall Apart has fared better in retrospective reviews, with AllMusic giving it four out of five stars.

I like this album. And the high points on it for me are the title track and Murphy's two covers. Oh, and I think the album starts off well with "Canvas Beauty". Your mileage may vary and all that.

Flashback: "Should the World Fail to Fall Apart (July 1, 1986)

See you in seven!