Friday 80s Flashback for June 19, 2026

 

[Queen Jamboree] -- Forty years ago, in June 1986, two bands released new albums into their respective catalogs. Although both are critically lauded, one has become an undisputed classic while the other tends to languish as an under appreciated gem. I'm talking about The Queen Is Dead by The Smiths and Jamboree by Guadalcanal Diary. 

The Queen Is Dead – After their sophomore album, Meat Is Murder (1985), The Smiths went into retreat to write songs for their next release. And so, forty years ago this week, The Smiths released their third studio LP, The Queen Is Dead, with songs written mostly by guitarist Johnny Marr and vocalist Morrissey at Marr's home. Morrissey and Marr also co-produced the album under the auspices of Stephen Street's engineering. In a retrospective review, Gavin Edwards wrote, "Whereas previously Morrissey had sourly lectured his listeners that meat was murder, on The Queen Is Dead he made one of the funniest rock albums ever" [Rolling Stone 920, April 17, 2003]. The Queen Is Dead peaked at #2 on the UK Albums Chart, where it spent over five months, and it climbed to #70 on the US Billboard Top Pop Albums chart. 

In case you're not sure, this album is the one I referenced as an undisputed classic in the opening paragraph. For more about the album, go track-by-track with the band in NME's 2016 post, "The Full Story Behind The Smith's The Queen Is Dead". Their quips about the singles – "The Boy with the Thorn in His Side", "Bigmouth Strikes Again", and "There Is a Light That Never Goes Out" (all of which were top 40 hits in the UK) – are brief but worth it. 

Jamboree – Guadalcanal Diary released their sophomore album, Jamboree, 40 years ago this week. Or, maybe, at some point between May and the end of June. So, it has turned, or will turn, 40 years old as of June 2026. The album debuted to decent reviews, with the Chicago Tribune saying it was "low on flash and affectation" and "a thoughtfully crafted, guitar-based effort" [Wikipedia, Chicago Tribune]. Good reviews, however, did not translate to sales. Neither the album nor its two singles – "Lonely Street" and "Spirit Train / Cattle Prod" – charted. 

I'm not sure if Guadalcanal Diary's oft-cited similarity to early R.E.M. hurt them, but they should have had at least as much success as their jangle pop contemporaries, even if just on college radio. And I agree with David Cleary of AllMusic who ended his review of Jamboree by writing, "This is an excellent, if sometimes bewildering album very much worth hearing". 

My favorite song is the opening track, "Pray For Rain." Go check it out and I'll bet you'll be lured into the rest of this all but forgotten gem. 

Now, on to the music. 🎶

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Flashback #1: The Queen is Dead (June 16, 1986)

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Flashback #2: Jamboree (June 15, 1986)

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And that's all till next week. Dedicated 80s-philes can find more flashbacks in the Prophet or Madman archives or via Bookended's 80s Flashback tag. As always, your comments are welcome on today's, or any other, flashback post. And if you like what I'm doing here, please share the link with your friends. If, however, you don't like the flashback, feel free to share it with your enemies.

See you in seven!

Friday 80s Flashback for June 12, 2026

[Tiger Line] -- Canadian rockers, Glass Tiger, released their debut studio album, The Thin Red Line, forty years ago this week. Other sourced cite the release date as being anywhere between February 1986 and July 1986, but most seem to point to a mid-June 1986 date, so that's what I'm using for this post. 

The Thin Red Line was Glass Tiger's only release that grabbed much attention stateside. It peaked at #3 in Canada and reached into the top 30 (#27) on the Billboard 200. It even achieved Gold record status in the states. That success was probably due to two very popular singles: "Don't Forget Me (When I'm Gone)", which peaked at #2 in the US, and "Someday", which was a mere top 20 hit in Canada but peaked at #7 here in the States.

"Don't Forget Me (When I'm Gone)" was their lead off single featuring backup vocals from fellow Canadian artist, Bryan Adams. There are two versions of the music video. The original Canadian video mixed performance with a storybook concept and was nominated for Best Video at the Juno Awards of 1986. The other video (which is linked above and included in the embedded playlist below) was made to target other markets because the Canadian version was deemed "too cutesy and directed solely toward the youth market" [Billboard (Nielsen Business Media, Inc.) 98 (49): 22. 1986-12-06].

The music video for "Someday" juxtaposes an upbeat performance, a rehearsal perhaps, with scenes of their somber-looking lead vocalist dealing with the fallout of his relationship. Many of the 80s video tropes are present: nighttime scenes, nappily perched hats, arguments, camera-rushing-through-foliage, forlorn expressions while making a phone call, and more. 

A third single, "You're What I Look For", with a music video consisting of standard concert performance footage plus slow panning of the fans, is one of my favorite tracks on the album though it failed to chart in the US. 

Flashback: "The Thin Red Line (June 11, 1986)

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And that's all till next week. Dedicated 80s-philes can find more flashbacks in the Prophet or Madman archives or via Bookended's 80s Flashback tag. As always, your comments are welcome on today's, or any other, flashback post. And if you like what I'm doing here, please share the link with your friends. If, however, you don't like the flashback, feel free to share it with your enemies.

See you in seven!

Friday 80s Flashback for June 5, 2026

[Many Afternoons, Still No Utopia] -- In 1986, Alphaville released their sophomore album, Afternoons in Utopia. It was something of a concept album -- a sci-fi synth/disco opera -- but it still holds up pretty well, particularly considering it did not chart nearly as well as their first album, Forever Young [covered here on September 27, 2024]. Afternoons in Utopia was recorded over a period of nine months and involved nearly 30 different musicians [see Credits on Discogs]. The album barely squeaked into the US Billboard 200 (at #174) while four of the five singles charted internationally. None of them became a huge radio hit. 

Regarding Afternoons in Utopia's first single, "Dance With Me," Alphaville's lead singer, Marian Gold, reportedly said that the lyrics refer to child prostitution. I have found several references to this interview on the web, but I have yet to find a copy of the actual interview. Still, having read the lyrics afresh, and re-watched the music video, I do see some legitimacy to the claim. And I'll never be able to hear this song quite the same way again.

Oh, and I'm not sure how they picked which tracks to release as singles, but I think they missed out by not selecting "The Voyager".  

Flashback: Afternoons In Utopia (June 5, 1986)

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And that's all till next week. Dedicated 80s-philes can find more flashbacks in the Prophet or Madman archives or via Bookended's 80s Flashback tag. As always, your comments are welcome on today's, or any other, flashback post. And if you like what I'm doing here, please share the link with your friends. If, however, you don't like the flashback, feel free to share it with your enemies.

See you in seven!